AHIS20022
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This subject examines art and visual culture in China from the early 19th to the end of the 20th century. Students are introduced to key art works by major figures and important social, cultural and political, factors that have shaped the making of art from the decline and fall of the Manchu-Qing dynasty (-1911) to the resurgent spirit of the People’s Republic of China (1949-). The changing contexts of production, circulation and reception including scholarly communion and exchange, public display and exhibition, and dissemination through mass media and the global marketplace are examined in relation to brush-and-ink painting, oil painting, printmaking, photography and globalised contemporary practice. A range of theoretical writings and methodological approaches show how modern and contemporary Chinese art reflects radical transformations, deep continuities and makes a fascinating contribution to world art.
A short essay and annotated bibliography
Week 6
Linked research essay proposal - an interactive oral assessment with a written submission at the same week
From Week 2 to Week 12
Research essay
During the examination period
Hurdle requirement: 1. Attendance hurdle requirement: This subject has a minimum requirement of 80% attendance at tutorials, seminars, or workshops. There is an expectation that students attend lectures.
Throughout the teaching period
Hurdle requirement: 2. Assessment hurdle requirement: All pieces of assessment must be submitted to pass the subject. Each submitted assessment must be complete, constitute a genuine attempt to address the requirements of the task.
Throughout the semester
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